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暂无英文版的简介，请添加内容帮助我们完善数据库。

A fictionalized drama film based on one of the most shocking crimes in Argentina's history. In 1992, Ricardo Barreda was an unassuming dentist, brutally murdered his wife, mother-in-law, and two adult daughters in their family home. Branding himself as a victim, Ricardo Barreda ignited a media storm and fueled a national scandal.

In November 1971, Salvador Allende and Fidel Castro chat to each other about revolution, imperialism, oligarchy, underdevelopment, cultural dependency and economics.

In the age of the brand, logos are everywhere. But why do some of the world's best-known brands find themselves on the wrong end of the spray paint can # the targets of anti-corporate campaigns by activists and protestors? No Logo, based on the best-selling book by Canadian journalist and activist Naomi Klein, reveals the reasons behind the backlash against the increasing economic and cultural reach of multinational companies. Analyzing how brands like Nike,The Gap, and Tommy Hilfiger became revered symbols worldwide, Klein argues that globalization is a process whereby corporations discovered that profits lay not in making products (outsourced to low-wage workers in developing countries), but in creating branded identities people adopt in their lifestyles. Using hundreds of media examples, No Logo shows how the commercial takeover of public space, destruction of consumer choice, and replacement of real jobs with temporary work # the dynamics of corporate globalization # impact everyone, everywhere. It also draws attention to the democratic resistance arising globally to challenge the hegemony of brands. Written by Loretta Alper

The ups and downs in the life of seven friends from Patras.

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当200多个世界知名商标友情出演一部动画时，就有了《LOGORAMA》。这是由法国一家叫做H5的设计工作室制作的17分钟动画短片。影片讲述在一个完全由商标构成的世界里，正义而暴力的米其林轮胎人大战邪恶的麦当劳大叔的荒谬故事。　　故事中还将包括汽车追逐、枪战、人质危机、野生动物大闹城市等等情节。比较有趣的是，H5事先并没有征求商标持有者的同意，但这200多个被使用的商标的公司都没有对H5提出异议或反对。只有一家叫Cash Converter的公司发了封伊妹儿给H5，感谢他们将自己公司的LOGO放在动画中的显眼位置。片中用各大品牌的Logo组合了一个好莱坞的花花世界，创意十足，很是新鲜有趣（各位可以考考眼力，看自己究竟能认出几个来）。

A series of six opening logos and one closing logo produced as part of the NFB's contribution to the Ottawa '82 International Animation Film Festival.

The Prologue focuses on the use of political propaganda shown in the cinema and the television in the 1960's and throws light on the short films cult that were exhibited before the cinema sessions in Brazil.